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The
Feast of Stone by Thomas Corneille
/ Thomas
Corneille
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Thomas
Corneille (1625 -1709)
Born
in Rouen in 1625, Thomas is eighteen years younger than his brother
Pierre Corneille.
Their careers are similar. Like Pierre, he studies law, becomes lawyer
at the Tribunal of Normandy and settles in Paris where he tries his
luck in the theatre. At the outset, he incontestably benefits from
his brother's fame but acquires his own celebrity very quickly because
his plays meet with resounding success. In the 1650s, he especially
concentrates on Spanish comedy
as do his brother and numerous other dramatic authors of the time,
and then moves toward tragedy.
He also succeeds brilliantly at this and his Timocrate encourages
him to continue in this vein. His return to comedy
is then more episodic, although his play " La devineresse " (The
Soothsayer) - which he writes in collaboration with Jean Doinneau
de Visé - is a comedy of manners perfectly in tune with the
time, in the fashion of those of Molière.
Thomas Corneille is a productive author. Between 1660 and 1677 he
writes twelve tragedies and tragicomedies
and these are appreciated by the public. He has an undeniable talent,
his writing is intelligent and he knows how to rejuvenate old techniques.
His merit is to have succeeded in keeping the art of the tragedy at
a time when it is less popular, waiting for Racine
to renew and magnify it. In contrast to the latter, Thomas Corneille
finds the source of tragedy solely in history and politics, without
involving so much love. From 1677 he becomes one of the editors of
the Mercure Galant, a very fashionable newspaper, composed
of literature and worldly gossip. In 1685, he is elected to the French Academy,
succeeding his brother.
At the same time, he produces an edition in five volumes of his revised
and corrected plays, and he continues to write works dedicated to
the arts and sciences, as well as an opera.
This man marks the literary life of his era into which he invests
his ideas.
It is not therefore by chance that the widow of Molière, Armande
Béjard, chooses him to rewrite the still forbidden Dom
Juan. |
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